27th February 2015
Over the past 12 months, tracks from Book of Rhapsodies
were featured over several episodes of the hugely popular NPR radio
show produced by WNYC. Radiolab is an innovative radio program dedicated
to unraveling the mysteries of science and philosophy, among other
While the weird and wonderful music from Book of Rhapsodies perfectly fit the quirky, inquisitive nature of the programs, the music wasn't credited. In fact, almost none of the music used in Radiolab was credited. Because much of the music played is so interesting, many fans of the show (including us) would write to ask what it was they were hearing but usually got no response. After hearing our recordings on several episodes, we contacted the programmers at WNYC directly to request crediting the music played on the show.
Thanks to many of our fans who reached out to Radiolab in support of musicians, Jad Abumrad called us to say he would not only credit Ghost Train Orchestra but make an effort to credit all of the music played on the show. In fact, Jad credits original music on the latest show from last week. Here's hoping they continue that trend.
Jalopy Theater Friday November 14th
5th November 2014
We'll be performing our only fall show on Friday November 14th at the lovely Jalopy Theater in Red Hook. The 11-piece orchestra will be running the rapids through some brand new and very tricky arrangements of beautiful and surreal chamber jazz from the late 1930s. Also on the bill is the wonderful Carte Blanche.
Here's a video of us performing Beethoven's 7th Symphony, 2nd Movement reimagined for jazz orchestra. Brian Carpenter (trumpet), Petr Cancura (clarinet, tenor saxophone), Dennis Lichtman (clarinet), Andy Laster (alto saxophone), Curtis Hasselbring (trombone), Ron Caswell (tuba), Mazz Swift (violin), Tanya Kalmanovitch (viola), Avi Bortnick (slide guitar), Michael Bates (upright bass), Rob Garcia (drums).
Book of Rhapsodies on iTunes
6th June 2014
Book of Rhapsodies received a great review from iTunes..."Carpenter leads GTO through this strange and beautiful world where humor, wit, and idiosyncrasy were given credence. The music is tight but flexible, crackling with energy. All killer and no filler." You can purchase Book of Rhapsodies on iTunes here.
Book of Rhapsodies received all kinds of praise, landing at #3 on the Burning Ambulance Top Jazz Albums of 2013 and on the Best Large Ensemble Releases by the New York City Jazz Record. Phil Freeman of Burning Ambulance writes "Carpenter is on a mission to make 21st Century listeners aware of just how much awesome music was being made in the early decades of the 20th by rooting out obscurities and tweaking the arrangements until they pop like fireworks." Andrew Velez of the NYC Jazz Record writes "This is an amazing ensemble, playing music like no others these days. There hasn’t been big band music as exciting as this since forever...GTO is creating its own electrifying musical gold."
In November's Downbeat Editor's Picks, Davis Inman writes "Carpenter and his collaborators find plenty of new life in these old charts and 78s...down a rabbit hole to a bizarre, charming world of nearly forgotten music from the 1930s." Bill Marx adds Book of Rhapsodies on the annual holiday gift wrap-up on ArtsFuse, writing "an impish excursion into the nooks and crannies popular music in the 1930s...a delightful trip through a retro aural funhouse." Lucid Culture describes it as a "joyous, vaudevillian ride...with a couple additional, absolutely killer tracks from the Raymond Scott catalog." Irwin Chusid, who led the rediscovery of Raymond Scott, describes Carpenter's new arrangement of Scott's composition "Celebration on the Planet Mars" (the epic 9-minute closing track on the album) as "out of this world, in every sense of the phrase...spectacular."
"Happy & Gay" Premieres at New England Animation Film Festival
12th May 2014
Lorelei Pepi's animated short film “Happy and Gay” is premiering at the Institute of Contemporary Art in Boston in May as part of the New England Animation Film Festival. "Happy and Gay" is a revisionist history document reflecting the form of a 1930’s-styled cartoon musical misadventure. The film examines historical issues regarding stereotype, representation, censorship and homophobia.
The cartoon was scored by Brian Carpenter in 2004, recorded and mixed by Danny Blume, and features members of the Ghost Train Orchestra. Carpenter's original score was inspired by many of Carl Stalling's early scores from the late 1920s and '30s (pre-Warner Bros), particularly Flip the Frog and Willie Whopper.
More details, including dates and times, plus tickets are available here.